ARC浮世絵ポータルデータベース/Ukiyo-e Portal Database - 検索結果１

ARC浮世絵ポータルデータベース/Ukiyo-e Portal Database　検索結果（簡易情報）

8 件の内 1 件目から 8件目を表示中

整列・絞込

小画像中画像

サムネイル画像をクリックすると、「画像＋詳細情報」画面に移ります。

基本
上演
解説
所蔵者等

		作品No. JA13031 CoGNo. JA13031 Co重複: 1 AlGNo. JA13031 Al重複: 1 出版年: () 月日地: 江戸 / Edo 出版備考: 卯九 / rabit 9 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga, in yellow and green toshidama cartouche 彫師摺師画中文字人名祇園のおりつ [2]尾上菊次郎 / Onoe Kikujirô II as Oritsu from Gion 改印改判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/01;02 異版
		作品名1 祇園のおりつ ( ぎおんのおりつ )	1印No. 1板元No. 1板元名大黒屋金之助 / Daikokuya Kinnosuke 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae 画題シリーズNo. 名資料部門浮世絵

		作品No. JA13032 CoGNo. JA13032 Co重複: 1 AlGNo. JA13032 Al重複: 1 出版年: 1853 () 月日 12 地: 江戸 / Edo 出版備考: 丑十二 / buey 12 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師画中文字人名お柳の方 [4]尾上梅幸 / Onoe Baikô IV 改印改判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/02;03 異版
		作品名1 お柳の方 ( おやなぎのかた )	1印No. 1板元No. 1板元名山本屋平吉 / Yamamotoya Heikichi 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae / 加賀騒動 / kaga sōdō 画題シリーズNo. 名資料部門浮世絵

		作品No. JA13034 CoGNo. JA13034 Co重複: 1 AlGNo. JA13034 Al重複: 1 出版年: 1851 () 月日 5 地: 江戸出版備考: Kaei 4 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師画中文字人名鳴神上人」八代目市川団十郎 / Ichikawa Danjûrô VIII as Narukami shônin 改印判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/01;02 異版
		作品名1 鳴神上人 ( )	1印No. 1板元No. 1板元名山口屋藤兵衛 / Yamaguchiya Tôbei (Kinkôdô) 板元文字卜山口
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考下売 / shita uri
		分類役者絵 / yakushae 画題シリーズNo. 名資料部門浮世絵

		作品No. JA13035 CoGNo. JA13035 Co重複: 1 AlGNo. JA13035 Al重複: 1 出版年: () 月日地: 出版備考: 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師画中文字人名雲のたへま」初代坂東しうか / Bandô Shûka I as Kumo no Taema 改印判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/02;02 異版
		作品名1 雲のたへま ( )	1印No. 1板元No. 1板元名山口屋藤兵衛 / Yamaguchiya Tôbei (Kinkôdô) 板元文字卜山口
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考下売 / shita uri
		分類役者絵 / yakushae 画題シリーズNo. 名資料部門浮世絵

		作品No. JA13103 CoGNo. JA13103 Co重複: 1 AlGNo. JA13103 Al重複: 1 出版年: 1851 () 月日地: 江戸 / Edo 出版備考: 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章一雄斎国貞画 (芳桐印) / Ichiyûsai Kunisada ga, and paulonia´s seal (kiri) 彫師摺師彫工巳の, Chōkōmino 画中文字人名小性吉三郎 [8]市川団十郎下女お杉 [2]市川九蔵 / Ichikawa Danjūrō VIII as Koshō Kichisaburō, Ichikawa Kuzō II as the maid servant Osugi 改印衣笠、村田, Kinugasa, Murata 判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/03;03 異版
		作品名1 「小性吉三郎」「下女お杉 ( )	1印No. 1板元No. 1板元名越村屋平助 Koshimuraya Heisuke 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae 画題 Romantic story of Oshichi, who died in order to save the life of her lover. シリーズNo. 名資料部門浮世絵

		作品No. JA13138 CoGNo. JA13138 Co重複: 1 AlGNo. JA13138 Al重複: 1 出版年: 1854 () 月日 9 地: 江戸 / Edo 出版備考: 寅九 Tiger 9, Kaei 7- Ansei 1 順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国筆 / Toyokuni hitsu 彫師摺師横川彫竹 Hori take, Yokokawa Takejirō 画中文字人名更科郡守之介実ハ寛行　巫子実子実ハ児雷也　伊豆屋息子与三郎　児雷也実ハ尾形寛行　実夢上人実者児雷也　比企判官頼員実ハ寛行　伐ラレ与三」　八代目市川団十郎 / Actor Ichikawa Danjûrô VIII in the ooles: Sarashinagun Morinosuke, actually Hiroyuki; Priestess (Miko) Jitsuko, actually Jiraiya; Izuya's Son (Musuko) Yosaburô 改印改、aratame 判型大判/錦絵 / ôban nishikie 続方向竪作品位置 001:001/01;03 異版
		作品名1 千時嘉氷七甲寅中秋 ( )	1印No. 1板元No. 1板元名辻岡屋文助 (辻岡屋) / Tsujiokaya Bunsuke (Kinshôdô) 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae 画題シリーズNo. 名資料部門浮世絵

		作品No. JA13166 CoGNo. JA13166 Co重複: 1 AlGNo. JA13166 Al重複: 1 出版年: 1852 () 月日 5 地: 江戸 / Edo 出版備考: 子五順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga in red toshidama cartouche 彫師摺師彫巳の (Hori Mino), Koizumi Minokichi 画中文字人名改印浜、馬込, Hama, Magome 判型大判/錦絵 / ôban nishikie 続方向竪作品位置 228:000/03;01 異版
		作品名1 藤枝　熊谷直実 ( )	1印No. 1板元No. 1板元名辻岡屋文助 / Tsujiokaya Bunsuke 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae 画題 Tōkaidō gojûsan tsugi no uchi / Fifty-three Stations of the Tōkaidō Road シリーズNo. 名「東海道五十三次之内 / Tōkaidō gojûsan tsugi no uchi / Fifty-three Stations of the Tōkaidō Road 資料部門浮世絵

		作品No. JA13167 CoGNo. JA13167 Co重複: 1 AlGNo. JA13167 Al重複: 1 出版年: 1852 () 月日 5 地: 江戸 / Edo 出版備考: 子五順No.：( )
		絵師略称豊国〈3〉絵師Roma Toyokuni (3) 落款印章豊国画(年玉枠) / Toyokuni ga, in yellow toshidama cartouche 彫師摺師彫巳の (Hori Mino), Koizumi Minokichi 画中文字人名改印浜、馬込, Hama, Magome 判型大判/錦絵 / ôban nishikie 続方向竪作品位置 228:000/01;01 異版
		作品名1 「東海道五十三次之内　宮　景清」　八代目市川団十郎 ( )	1印No. 1板元No. 1板元名井筒屋庄吉 / Izutsuya Shōkichi 板元文字
		作品名2 ( )	2印No. 2板元No. 2板元名板元備考
		分類役者絵 / yakushae 画題 Fifty-three Stations of the Tōkaidō Road シリーズNo. 名資料部門浮世絵

	作品No. JA13031	配役祇園のおりつ [2]尾上菊次郎 / Onoe Kikujirô II as Oritsu from Gion
	興行名	よみ	場立
	外題	よみ	場名
	所作題	よみ	音曲種
	細目種	よみ	上演年 1855・9 場所江戸江戸劇場

	作品No. JA13032	配役お柳の方 [4]尾上梅幸 / Onoe Baikō IV as Oyanagi
	興行名	よみ	場立
	外題	よみ	場名
	所作題	よみ	音曲種
	細目種	よみ	上演年嘉永06 ・場所劇場

	作品No. JA13034	配役雲のたへま」初代坂東しうか / Bandô Shûka I as Kumo no Taema
	興行名恋模様振袖妹背	よみこいもようふりそでめおと / Koi Moyô Furisode Meoto	場立一番目と二番目の間
	外題橘牡丹皐月夜話	よみはなきょうだいさつきのよばなし / Tachibana botan satsuki hanashi	場名
	所作題鳴神 / なるかみ / Narukami	よみ	音曲種
	細目種	よみ	上演年・場所江戸劇場市村

	作品No. JA13035	配役雲のたへま」初代坂東しうか / Bandô Shûka I as Kumo no Taema
	興行名恋模様振袖妹背	よみこいもようふりそでめおと / Koi Moyô Furisode Meoto	場立
	外題橘牡丹皐月夜話	よみはなきょうだいさつきのよばなし / Tachibana botan satsuki banashi	場名
	所作題鳴神	よみなるかみ / narukami	音曲種
	細目種	よみ	上演年・場所江戸劇場市村

	作品No. JA13103	配役小性吉三郎 [8]市川団十郎下女お杉 [2]市川九蔵 / Ichikawa Danjūrō VIII as Koshō Kichisaburō, Ichikawa Kuzō II as the maid servant Osugi
	興行名恋模様振袖妹背	よみこいもようふりそでめおと / Koi moyô furisode meoto	場立
	外題恋模様振袖妹背	よみこいもようふりそでめおと / Koi moyô furisode meoto	場名鈴ケ森の場 / Suzugamori´s place
	所作題	よみ	音曲種
	細目種	よみ	上演年嘉永04 1851・05 09 場所江戸 / Edo 劇場市村, Ichimura

	作品No. JA13138	配役
	興行名	よみ	場立
	外題	よみ	場名
	所作題	よみ	音曲種
	細目種	よみ	上演年・場所劇場

	作品No. JA13166	配役
	興行名	よみ	場立
	外題 Ichinotani Futaba Gunki	よみ	場名
	所作題	よみ	音曲種
	細目種	よみ	上演年・場所劇場

	作品No. JA13167	配役
	興行名	よみ	場立
	外題 Kagekiyo Ja	よみ	場名
	所作題	よみ	音曲種
	細目種	よみ	上演年・場所劇場

	作品No. JA13031
	画中文字
	組解説個別解説
	組備考個別備考

	作品No. JA13032
	画中文字
	組解説 The painting of the folding screen has a signature on the left inferior corner: Kuni ? hitsu 個別解説
	組備考個別備考

	作品No. JA13034
	画中文字
	組解説 Koi moyō furisode meoto wellknown as Narukami, the thunder god. Ir is a classic kabuki play that tells the story of a powerful Buddhist saint. Angered by the Emperor's refusal to dedicate a temple to him, Narukami uses his power to imprison the Dragon Gods thus preventing rain from falling on the earth. The scene shifts to Narukami's retreat above towering rock cliffs adjoining a waterfall. While Narukami meditates, Taema, an astonishingly beautiful woman, calls to the God Fudo for aid. Unbeknownst to Narukami, Taema has been sent by the Emperor to seduce him and release the Dragon Gods. Claiming to be recently widowed, Taema says that she has come to the shrine to cleanse herself from carnal memories so she can start a new life. Narukami becomes suspicious of her motives, but his hesitation is soon overcome as he is seduced by Taema's beauty and asks her to marry him. Following their nuptials, Narukami falls asleep, and Taema releases the Dragon Gods. Discovering the treachery, Narukami transforms into a terrible Thunder God vowing to pursue Taema in revenge for her deception. https://sites.google.com/site/utnarukami/narukami-2/plot-summary#:~:text=Narukami%20%2D%20The%20Thunder%20God%20is,from%20falling%20on%20the%20earth. The ‘shita-uri’ seal (lit. low sale seal) appears in actor prints from 1850/1 to 1853/3. The purpose remains unclear. The position of the ‘shita-uri’ seal is mostly next to the signature or the publisher seal. This seal has been documented between II/1850 and II/1853. It was probably used for some years after the relaxation of the severe Tenpô Reforms (1842-47) that banned prints of theatrical subjects. Kabuki depiction had progressed from historical scenes with actors as heroes to flagrant depictions of kabuki, marked only with the "shita-uri" seal that meant such prints were not to be displayed openly in shops, where they might receive the notice of an official (i.e. low sale, or under the counter). Andreas Marks however, mentions that the term ‘shita-uri’ was in use in other business as well, for example in the fish wholesale where it meant a “negotiated transaction” between two parties. Marks raises the question if this seal was not a new constraint to the market but rather a way of liberalizing it by allowing publishers, with a restricted and limited number of prints, to get away from fixed prices and be more flexible in their pricing. (Andreas Marks, Publishers of Japanese Woodblock Prints: A Compendium, Hotei, 2011, p. 479-480). 個別解説
	組備考個別備考

	作品No. JA13035
	画中文字
	組解説 Koi moyō furisode meoto wellknown as Narukami, the thunder god. Ir is a classic kabuki play that tells the story of a powerful Buddhist saint. Angered by the Emperor's refusal to dedicate a temple to him, Narukami uses his power to imprison the Dragon Gods thus preventing rain from falling on the earth. The scene shifts to Narukami's retreat above towering rock cliffs adjoining a waterfall. While Narukami meditates, Taema, an astonishingly beautiful woman, calls to the God Fudo for aid. Unbeknownst to Narukami, Taema has been sent by the Emperor to seduce him and release the Dragon Gods. Claiming to be recently widowed, Taema says that she has come to the shrine to cleanse herself from carnal memories so she can start a new life. Narukami becomes suspicious of her motives, but his hesitation is soon overcome as he is seduced by Taema's beauty and asks her to marry him. Following their nuptials, Narukami falls asleep, and Taema releases the Dragon Gods. Discovering the treachery, Narukami transforms into a terrible Thunder God vowing to pursue Taema in revenge for her deception. https://sites.google.com/site/utnarukami/narukami-2/plot-summary#:~:text=Narukami%20%2D%20The%20Thunder%20God%20is,from%20falling%20on%20the%20earth. 下売 / shita uri seal (lit. low sale seal) appears in actor prints from 1850/1 to 1853/3. The purpose remains unclear. The position of the ‘shita-uri’ seal is mostly next to the signature or the publisher seal. This seal has been documented between II/1850 and II/1853. It was probably used for some years after the relaxation of the severe Tenpô Reforms (1842-47) that banned prints of theatrical subjects. Kabuki depiction had progressed from historical scenes with actors as heroes to flagrant depictions of kabuki, marked only with the "shita-uri" seal that meant such prints were not to be displayed openly in shops, where they might receive the notice of an official (i.e. low sale, or under the counter). Andreas Marks however, mentions that the term ‘shita-uri’ was in use in other business as well, for example in the fish wholesale where it meant a “negotiated transaction” between two parties. Marks raises the question if this seal was not a new constraint to the market but rather a way of liberalizing it by allowing publishers, with a restricted and limited number of prints, to get away from fixed prices and be more flexible in their pricing. (Andreas Marks, Publishers of Japanese Woodblock Prints: A Compendium, Hotei, 2011, p. 479-480). 個別解説
	組備考個別備考

	作品No. JA13103
	画中文字
	組解説 The actors of the woodblock triptych print are: Arashi Kichisaburo as Nita Shiro, seated with an attendant kneeling alongside wearing robes patterned with scenes of hell (right), Otani Tomoemon as Gunsuke seated on a stool, with Bando Shuka as O-Shichi, and an unidentified actor to their right (centre), and Ichikawa Danjuro VIII as Kichisaburo, with Ichikawa Kuzo as the maid O-Sugi, kneeling. 個別解説
	組備考個別備考

	作品No. JA13138
	画中文字
	組解説画中人名:「更科郡守之介実ハ寛行　巫子実子実ハ児雷也　伊豆屋息子与三郎　児雷也実ハ尾形寛行　実夢上人実者児雷也　比企判官頼員実ハ寛行　伐ラレ与三」　八代目市川団十郎 Person in pictures: Actor Ichikawa Danjûrô VIII in the roles: Sarashinagun Morinosuke, actually Hiroyuki; Priestess (Miko) Jitsuko, actually Jiraiya; Izuya's Son (Musuko) Yosaburô 個別解説
	組備考個別備考

	作品No. JA13166
	画中文字
	組解説 The series to which it belongs consists, in most cases, of sets of diptychs. It was one of the most successful series and it is known that more than 7,000 copies were printed. Ichi no Tani Futaba Gunki (A Chronicle of the Battle at Ichinotani) is about the tragic fight between the Genji warrior Kumagai Jiro Naozane and the young warrior-boy Taira Atsumori. 個別解説
	組備考個別備考 Serie: ¿? de 228 Conjunto de 3: 1 http://www.kunisada.de/Kunisada-Tokaido-1852/Tokaido0.htm#top

	作品No. JA13167
	画中文字
	組解説 The series to which it belongs consists, in most cases, of sets of diptychs. It was one of the most successful series and more than 7000 copies are known to have been printed. Miya's location was station 41. The actor plays a medieval warrior Akushichibyoe Kagekiyo (leader of the Heike in the Gempei wars referred to in the Heike Monogatari). This character enjoyed great popularity as a legendary hero in the numerous kabuki and bunraku plays, which came to be known as "Kagekiyo plays" (Kagekiyo monkey plays). The actor is depicted in the coarse, rough style known as aragoto, with a thick wig and red make-up (beni suji) with shadow lines (suji gama) and a blue-painted beard (han guma). The background of the print depicts a festival scene at the Atsuta shrine near Nagoya, practically copied from a Hiroshige design of the early 1930s. The shrine grounds suggest Kagekiyo's confrontation with Yoritomo at Tōdai temple. This debt to Hiroshige's landscapes is maintained throughout the series. http://www.kunisada.de/Kunisada-Tokaido-1852/Tokaido0.htm#top 個別解説
	組備考個別備考

	作品No. JA13031 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13032 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13034 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13035 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13103 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13138 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13166 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

	作品No. JA13167 所蔵者名 The Complutense University of Madrid (UCM) 所蔵者資料No. 蔵印
	所蔵者URL https://www.ucm.es/
	所蔵者著作権表示 CC BY 4.0
	所蔵者利用規定URL https://creativecommons.org/licenses/by/4.0/

エントランスへ

・整列条件を追加をします。
条件1 条件2 条件3 条件4 整列順件目に表示件数

・さらに条件を追加して結果を絞込みます。↓
キーワード：	(画題・作品名・演目・役者・役名・分類・シリーズ名から検索できます。画中の文章は、画中文字欄から検索してください。)
絵師：	落款：	出版：	和暦年西暦月日地域：改印：
◆資料情報
彫摺師：	画中人名：	板元：	No.:印1 版1 印2 版2 板元1.2(文字)
作品名：		系統分類：	画題:
シリーズNo：	シリーズ名：	画中文字：	判型技法:
◆上演情報
上演：	西暦：和暦：年月日：	劇場：	地域：
演目：		演目よみ：
配役：		幕・場名：
◆所蔵情報
資料番号：	colGNo: allGNo:	所蔵機関:
複製作品を重複作品を分割撮影画像を公開設定資料分野

検索条件を入れたら下のボタンをクリックしてください。

Copyright © 1999- Art Research Center, Ritsumeikan University, All Rights Reserved.